Becoming Things Becoming Time
May 9 - July 10
Neither matter , nor presence—yet both;
unnamed at birth, formed in becoming.
We are no longer born of nature or culture. We are built—assembled through circuits, code, and technogenesis. ARTECHISM names this condition: a state where things and selves converge, machines and flesh re-compose. Here, simulation merges with ritual, data with myth, the machine with the body. We are those who compost its ruins, reassemble its signs from the remnants of civilization.
As the first exhibition in the ARTECHISM series, Becoming Things, Becoming Time brings together the practices of Miao Jing and Aidos Amantai from two parallel worlds: Delight Garden and Bolmahan. One rooted in invented textual narrative, the other in visual myth-making, these worlds mirror and refract each other, drawing us into a suspended space where time becomes non-time, and the real becomes invention.
In Delight Garden, Miao Jing conjures speculative deities, algorithmic shrines, and digital relics to navigate a world where meaning and language arise and mutate. Through acts of translation between software and handcraft, he reimagines archetypal figures and gives shape to mythic landscapes rooted in the Shan Hai Jing (The Classic of Mountains and Seas), local gazetteers, and folk traditions. Over time, this generative universe has evolved into a multilayered cosmology—part virtual museum, part ritual archive, part data stream, open to interception, capture, and recomposition.
Aidos Amantai’s Bolmahan takes its name from a fictional Silk Road town in his novel. Drawing on the Kazakh oral tradition of the “Falsehood Song,” he builds an epic history of Bolmahan—meaning “never existed”, a place remembered before it was ever known.
As if we were the people of Bolmahan who have wandered into the Delight Garden, we linger between relics of the past and projections of the future. Multiple realms unfold at once: a dreamlike garden inhabited by ancient spirits and sacred implements, and a glossy techno-futurist lab alive with sculpture, video, print, text, sound, and light.
Together, Miao Jing and Aidos Amantai shape a terrain of metamorphic storytelling—each work a radical visual, material and literary experiment, where art moves as breath, as rhythm, and as return.
Artist
Miao Jing, Aidos Amantai
Curator
Yanhan Peng
Producer
Edward Q. Zeng
Exhibition Design
Yalun Li / Mark
Organizer
NextG, Artech Foundation
Location
445 Park Avenue, New York
ART WORKS PREVIEW (苗晶作品)
A
「橱窗」「O」 1705mm×850mm
艺术微喷 2017
「 渐_博物柜 v04292018」1417mm×850mm
艺术微喷 2018
B
「十日混沌图」9组图
297mm×167mm×9 艺术微喷 2025
C
「搜物集objs」
27. 03.
29.
25. 10.
28.1 28.2 28.3 28.4
12.
13. 14.
23. 01. 09.
06.
20. 24.
26. 17. 18.19.
05. 04.
21. 22. 08.
16.
3D打印躯壳:未来树脂(人工合成物)
外壳:丙烯,漆,金箔,银箔等
内藏:泥、细沙、石头、香料等(自然材料)
上色技法:涂、拓、磨、喷
D
「搜物集 · 七组图」
动态数字雕塑 LCD屏幕 海洋板装置
loop 尺寸可变 2025
备注:因拍摄角度限制,照片只能呈现5个屏幕
E
「搜物集_v07022024」
600mm×600mm×3 艺术微喷
F
「搜物集 · 档案」
雕塑,档案微喷 , 博物柜 , 尺寸可变 2025