2016

{Artwork, Audiovisual Installation}

4 of Single Channel Video

Flexible Size

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Transition is an audiovisual installation, created by New York-based studio, Hibanana Studio by Miao Jing and Chang Liu, and in collaboration with Beijing-based musician Jason Hou.

Transition is a multi-chapter video installation, which currently includes four individual single channel videos in the first chapter, “Transition - Animal”. Inspired by the concept of transmigration from Buddhism, artist Miao Jing and Chang Liu start to create a transient space where one creature’s life waiting for transforming to another’s, which also called “Samsara” in religious context. Influenced by the root of Chinese culture, they create this series of video sculptures by looking at the references of antique towers, antique architecture, and antique objects in both secular life and religious life.

In collaboration with musician Jason Hou, sound and visual become a synchronized experience to transport audiences from the mundane reality to a spiritual environment. Transition tries to provoke the thoughts through visualizing the belief of Samsara beyond life and death.   

Credits:

a project by Miao Jing

Music/Sound: Jason Hou

2011

{Audiovisual Installation, Spatial Experience}

Mixed Material Audiovisual Installation

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Manufactured Landscape is a series of artwork. The practice started from 2011 until now. Manufactured Landscape - Dreamland explores......

2014

{Audiovisual Installation}

90° Projection Mapping

Single Channel Video

3840*1080 pixel

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INFINITE is an audiovisual installation created by visual artists Liu Chang, Miao Jing and sound artist Gan Jian. The work explores the relationship between time and space, the spatial gravity and perception of human. INFINITE provides an immersive experience with dual experience of audio and visual. 

Inspired by artist Sol Lewitt’s walling drawing series and “Open Cube”, the artist express the weight but in a contradictory lightness. The geometry elements are light, while the heaviness of the wall gives a pressure upon the viewer. This contradiction continues in the architectural structure of the work, in which there are two walls that enclose a spatial corner, and a cube that belong to both sides. INFINITE leads audiences to a mysterious space and meditational with infinite reverie.

Selected Exhibitions:

Columbia University GSAPP; FILE Festival 2016; Lima Fundacion Telefonica Festival; A4 Comtemporary Arts Space; L-Art Gallery; ACM SIGGRAPH; Carroll/Fletcher Gallery; STRP Festival(NL); He Xiang Ning Art Museum;